name of artist title of print screenprint etching woodcut lithograph linocut monoprint digital mixed media assemblage bic biro (fine) HB pencil carbon transfer carbon paper etching and embossing aquatint etching and aquatint hand-etched on acrylic sheet hand cut stencils HB pencil and carbon transfer aquatint and drypoint 2 plate etching dry point collograph and drypoint lino cut and stencil print monoprint and collage carborundum blind embossed monoprint etching and collage monoprint etching and collage embossed sugar lift etching hand coloured etching etching and drypoint relief print photo etch, collograph and offset print photography digital and collograph print digital print digital print and sgraffito collograph Photo Etching Litho collograph, photo litho and screen print monoprint, screenprint, found material monoprint, screenprint hand - coloured collograph pen on paper Digitally printed paper, glue. Handmade pop up lino cut pop up - metal emboss wood engraving solar plate etching etching and chine colle` monoprint and etching

Jackie Field MA, BA(hons)
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‘Every entity is only understood in terms of the way in which it is interwoven with the rest of the universe’ Alfred North Whitehead, Philosopher My recent work has been investigating and questioning the relationship of inside and outside space, encompassing the experience of a place that is both physically and visually engaging through man-made and natural structures found within plants, landscape and architecture, exploring specific locations and the immediate environments of The British Museum and the Turbine Hall at Tate Modern. The lily print is a hybrid a cross between two different varieties growing in a glass house with a reliance on protective, climate controlled conditions in England, it is native South America where it grows wild. The Turbine Hall was once used as a power sation generating electricity for Bankside. The British Museum’s recent modernist extension with the old reading room situated at the heart of The Great Court giving it the circular shape with 3,312 unique glass panels. All these structures are hybrids of their former selves. My ideas are developed through drawing, photography and printmaking takin the viewer on a journey, physically moving through the space experiencing ‘still space’ realised in the medium of woodcut. The imaged begin to take on a monumentality.... ...and this journey continues into time based media in the form of a video. What are you seeing? Where are you in relation to the space? part real and imaginary space developed through the medium of video incorporating layered elements of drawing and print. Exchanges begin to rake place between static and shifting spaces, interior and exterior spaces. As the work has progressed the viewers participation and interaction within the space has become an increasingly important part of the work and showing the video on a small scale opens up questions of the sheer volume of the Turbine Hall and a film can be played over and over again the space and movement within takes place out of its own time. There is a strong juxtaposition between the process of woodcuts, printed using an old Victorian garden roller and hand burnishing, alongside a video which had ultimately been produced ‘digitally’ the two mediums situated at completely opposite eds of the historical scale sustaining each other. Experiencing different levels of representation. The time based work marks a continuation from the act of drawing and print, and the initial aim being for the mediums to work alongside each other creating a sense of scale, frame, and a strong visual impact providing a thought provoking multi-media experience.
Shows and Galleries
SOLO EXHIBITIONS: Pending: ‘The Story so Far: A Print Retrospective’, The Stables Gallery, London - 17th Nov 2005 - 11 Dec 2005 GROUP EXHIBITIONS: Mar 2005 - ‘Limited Editions’ Printmaking Show, St Mary-in- the- Castle, Hastings Nov 2004 - Brighton Art Fair with the printmakers Council Sep 2004 - Clifford Chance Postgradute Printmaking in London, Upper Bank Street, Canary Wharf Aug 2004 - ‘The Best of Wimbledon’ A Gallery, Merton hall Road, Wimbledon July 2004 - ‘Extension’ MA Show Wimbledon School of Art Feb 2004 - Ida Branson Memorial Bequest Exhibition, Millfield, Street, Somerset Jan 2004 - ‘Sale’ (Group Show) A Gallery, Merton Hall Road, Wimbledon Nov 2003 - Final Degree Show University of Brighton, (Printmaking Dept) May 2002 - Group Exhibition of Painting & Prints by fine art undergraduates UOB, Sussex Arts Club, 7 Ship Street, Brighton May 2002 - Group Printmaking Show, main Gallery, University of Brighton May 2001 - ‘Missing Tobias’ BA Printmaking Show, Akademia, Manchester Street, Brighton July 1997 - Inside/Outside Group Exhibition, De La Warr Pavilion, Bexhill-On-Sea
Techniques used woodcut
Jacqueline Mary Ann Field NATIONALITY: English D.O.B: 26th May 1979 EDUCATION: 2003 - 04 MA Fine Art Printmaking, Wimbledon School of Art 2000 - 03 BA (Hons) 2.1 Fine Art Printmaking, University of Brighton 1996 -98 Eastbourne College of Arts & Technology: BTEC Foundation Studies 2000 - OCN Printmaking 6 Cdt/Level2 2000 - OCN Life Drawing 6 Cdt/ Level 3 2000 - OCN Illustration 6 Cdt/Level 2 1998 - OCN Ceramics Stage 2 Cdt/Level 2 1997 - OCN Ceramics 6 Cdt/Level 2 1996 - Pre-Foundation 24 Credits 1995 - Ratton School GCSE Art & Design A, Biology A*, English Language A, Graphic Design A, Science B RECENT AWARDS: 2004 - Reached final 12 nominations for Drawing Prize WSA 2003 - American Express Purchase Prize Winner, two Prints purchased 2001 - 2nd Prize Mini-Print competition, University of Brighton 1999 - 1st Prize Young Craftsman of the Year Competition (Ceramics Section) 2003 - Interviewed Royal College of Arts for MA Fine Art Printmaking COMMISSIONS: Presently: The Queen Alexandra’s Cottege Homes (Eastbourne) 100th Anniversary Mar 2004 - QBO Bell Pottinger Portrait project, London 2005/6 - Featured in the Wimbledon School of Art Prospectus MEMBERSHIP OF SOCIETIES: 2004 - The Printmakers Council 2005 - Accepted as Associate Member to The National Society of Painters, Sculptors & Printmakers

Artists Prints

Where Nature& Culture Meet I woodcut 142x183cm	Where Nature& Culture Meet II woodcut 150x173cm
Outside Inside The British Museum woodcut 105x133cm	Amazonica X Cruziana woodcut 150.5X173.5cm

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